Shadow Game solo exhibition

I have this exhibition between 28.05-03.06.2018 dates in a mall in Istanbul

I hope everything goes well and “Shadow Game” is understood by everyone

Being behind the curtain and watching what happens in our lives as a game is the main concept of this work and the exhibition.




World Art Day Exhibition / Dünya Sanat Günü Sergisi

Dünya Sanat Günü sergisi Abay Galeri’de 14 Nisan 2018 tarihinde Bedri Baykam’ın teşrifi ve yaptığı konuşmayla açıldı. 62 sanatçının birbirinden güzel ve farklı yapıtları görülmeye değerdi. Ben de bu sergideki sanatçılardan biri olduğum için büyük onur duydum . Abay Galeri’ye ve Ayşegül Abay’a çok teşekkürler!



Surrender Flower Mosaic


Surrender Flower Mosaic / Tevekkül Çiçeği Mozaik


Marble mosaic / Mermer Mozaik

Surrender flower blooms when a person finds his/her way through  life.

I think this flower shows some strength and this strength is in the characteristical features. Because in surrendering there are some kind of qualities that simplifies the process in the occupations of life. When encountering the hardships and difficulties we can surrender and see this flower bloom in front of our eyes. Surrendering to every situation we gain velocity and momentum for our dreams to come true.

Surrender Flower

IMG_20171226215348.jpg Surrender Flower mosaic work design

I love the meaning of the surrender that I found in this web site, here I put the article:


By surrender we mean … a spontaneous self-giving, a giving of all yourself to the Divine, to a greater Consciousness of which you are a part. Surrender will not diminish, but increase, it will not lessen or weaken or destroy your personality, it will fortify and aggrandise it. Surrender means a free total giving with all the delight of the giving. . . . True surrender enlarges you; it increases your capacity; it gives you a greater measure in quality and in quantity which you could not have had by yourself. This new greater measure of quality and quantity is different from anything you could attain before: you enter into another world, into a wideness which you could not have entered if you did not surrender. It is as when a drop of water falls into the sea; if it still kept there its separate identity, it would remain a little drop of water and nothing more, a little drop crushed by all the immensity around, because it has not surrendered. But, surrendering, it unites with the sea and participates in the nature and power and vastness of the whole sea.

Magic Giraffe Mosaic Artwork

This is a work in progress but I love how it gets in shape and wanted to share it:)


Mosaics are masterpieces

Mosaics are masterpieces

POSTED: Friday, March 17, 2017 – 6:36 a.m.

How many times have we all been out on a drive only to gaze out the window at a beautiful mosaic on a church? Even traveling on vacation, mosaics are noticed in all sorts of places. Sidewalks, the side of a building and mostly in churches. Just recently, I had the pleasure of witnessing the very large palm mosaic design being installed on the front fascia of a new hotel building.

As beautiful as mosaics are to look at, many are unaware of the tedious labor it takes to install these masterpieces of art. Not only are they labor-intensive, but designing the perfect mosaic masterpiece for a specific space, whether in a home, religious building or commercial space, can be time-consuming — especially knowing that the beauty of such artwork may be in the eye of the beholder.

A few specifics to note before deciding to install a mosaic medallion, or even a mosaic border, in your home. If a perfect look is desired in your mosaic, keep in mind the beauty of a mosaic is that not all lines will be straight or perfect. This is the attractiveness of a mosaic, a piece of art. Some mosaic borders have very tiny pieces of stones, called pebble mosaics, that must be hand-placed to make certain designs and mitered corners.

Mosaics can be made up of a combination of stones and other materials. Usually composed of marble, in today’s creative design world, many mosaic borders can be found with a mixture of hard elements. Crushed glass, marble, metal and pearl can be used in a mosaic to bring a whole bathroom together. This combination will bring in design features such as texture, visual smoothness and design details. For example, a mosaic border with these textures will bring in the glass of the shower doors and light fixtures. The metal tile detail will tie in with the metal plumbing hardware, such as the faucet in the sink and shower. The pearl will bring together the marble countertop used in the space.

If you want to create your own mosaic medallion in a bathroom in front of a vanity or front entry hallway, many options are available to inspire your creativity, from elaborate marble and mirror florals to penny octagon tiles.

If a more dramatic option for a mosaic is desired, larger designs are more popular today than ever. Large diamond marble cutouts bordered with swerving, contrasting marble inserts would be a striking statement, embellished with a glass dot in a shower or for a focal wall in a foyer entry.

Because in today’s world of tile, mosaics are defined as masterpieces of art, when working with mosaics, the creative possibilities are endless.

Share on Facebook

Share on Twitter

Share on LinkedIn


Giraffe mosaic in ancient artworks


Mosaic of giraffe (camel-shaped), part of the 6th century floor in aisle of the Byzantine church in Petra, Jordan. 6th century AD. Photo Credit: Jane Taylor / The Art Archive at Art Resource, NY

Images of giraffes were rare in classical antiquity, mainly because giraffes were a rare sight indeed. Found in sub-Saharan East Africa, giraffes were first seen in the Mediterranean world in the 3rd century B.C. when they were exhibited in Alexandria, Egypt. Ancient historians and travelers described the giraffe as a “cameleopard” because, with a head and hooves like a camel, and a bespeckled coat like a leopard, it had the unique features of both.



Andrea Andreani (Italian, 1558/59-1629), Triumph of Caesar, 1599. Chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper; 380 x 378 mm (sheet); composite approx. 385 x 3420 mm. The Art Institute of Chicago, gift of the Print and Drawing Club, 1926.452.6.

In 46 B.C., Julius Caesar returned from campaigns in Africa. To celebrate his triumph he hosted a multiday festival in Rome. This festival included games, temple dedications, and even a mock naval battle on land. The last day of Caesar’s triumphal spectacle included a parade of elephants (pictured in this print) and allegedly the first giraffe ever to be seen in Rome. Like the elephant, the giraffe was a symbol of exotic locales.


RS3C_commodus copy.png

Aureus (Coin) Showing the Emperor Commodus, A.D. 180. Roman. Gold; Diam. 2 cm; 7.14 g. The Art Institute of Chicago, gift of Martin A. Ryerson, 1922.4879.

Giraffes were among the rarest of animals to be seen in the Roman world. From Africa, they could only be brought to Rome when very young, and only a few survived. Because of the expense of bringing them to the capital, they were never killed in animal combat, as other exotic animals often were. The exception to this was the fatal blow delivered to a giraffe by the emperor Commodus (r. A.D. 161­–92) infamous for his brutal combats in the arena.


RS3D_giraffes_masked copy.png

Giraffe Mother and Baby. ©

The immense financial and physical cost in bringing giraffes to Rome was so prohibitive that typically only the emperor had the financial backing to undertake such an endeavor. A recent excavation in Pompeii, south of Rome, revealed a baby giraffe bone. It is possible that the giraffe was passing through this port city on its way to Rome, but like so many giraffes, it died in transit.



Roman, detail of floor mosaic, around A.D. 567, from the Monastery of the Lady Mary, Beth Shean, Israel. Photo Credit: Erich Lessing / Art Resource, NY

Because giraffes were brought to Rome as calves and required specialized care, they would have arrived from Africa with their own handler. Considering the size of the giraffe in this mosaic compared to the man, it is likely a baby giraffe. Its handler is depicted with dark skin and a bare chest; his costume would have indicated that he was from Nubia (southern Egypt) for a Roman viewer.



Detail: Mosaic Fragment with a Man Leading a Giraffe, Byzantine, northern Syria or Lebanon, 5th century A.D. Stone in mortar; Height: 170.8 cm (67 1/4 in.); Width: 167 cm (65 3/4 in.). The Art Institute of Chicago, gift of Mrs. Robert B. Mayer 1993.345.

After the capital of the empire shifted to Constantinople in the 4th century A.D., giraffes were no longer exhibited in Rome. During the following centuries, royal menageries were established in Constantinople. In the 11th century, Emperor Constantinus IX (r. 1042–55) received an elephant and giraffe from the caliph of Egypt. Subsequently giraffes were among the types of exotic animals bestowed upon to Byzantine emperors as diplomatic gifts.